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Vina was no exception. Ball games, church collections, children’s mite societies, girls sewing, boys running errands, each and all helped with the relief work.,

Mrs. Wopp was much too energetically engaged to enter into fuller argument. She busied herself preparing the tubs for rinsing, singing in a high tremolo, “Shall we gather at the river?”,

Loch Katrine lay beneath him rolled,’”,

In the house, meanwhile, affairs were proceeding quite as happily as those out of doors. The hostess fluctuated between the parlor and kitchen. She was preparing a repast not only for the workers present, but also for the men-folk who would presently arrive to take them to their respective homes. Excused from quilting, she nevertheless managed to spend considerable time with her guests. Mrs. Mifsud was a lady who aspired to literary attainments. She had read “Beulah,” “Vashti,” “Lucile,” “St. Elmo” and many other books of like calibre. She felt that her talents were practically wasted, living in what she termed a desert, yet she strove, when occasion offered, by elegance of deportment and conversation to enhance her gifts. She often spoke tenderly of the late Mr. Mifsud who, in spite of the fact that his face had been adorned with bristling side-whiskers of an undeniable red, had shown in other ways some signs of intelligence and feeling. He had been carried off by the shingles. According to Mrs. Mifsud’s account, her deeply-lamented spouse had considered the tall attenuated form of his wife “willowy,” her long thin black hair “a crown of glory,” her worn narrow countenance with its sharp nose and coal-black eyes, “seraphic.”

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“How much will you pay fer them fer my missionary box?” bargained the child. “Will four shinin’ new quarters do?”,

Mrs. Wopp’s eagle eye, again rested on the lowering face of her offspring.,

Her breakfast finished, Betty sought the company of Moses, who was in a small shed adjoining the kitchen. He was piling some fire-wood he had carried in from the yard.,

In a few days the sight of his wife wrapped in a shawl the color of an unripe cucumber had a rejuvenating influence upon Ebenezer Wopp. He did not say much, being a man of few words, but his sentiments were inscribed in cramped illegible writing on a slip of paper to be handed down to posterity.